INFO


I’m a New York–based image-maker working across photography and moving image. My transdisciplinary work is rooted in realism, exploring youth, intimacy, and style across nightlife, street, and private spaces in New York City, Los Angeles, Paris, and Chicago.

Much of the work is initiated through street scouting and online resarch, and grounded in trust-based collaboration, evolving from early tests and fittings into fully realized shoots, films, and material outcomes. While my films are often scripted and intentionally staged, they carry a documentary sensibility: intimate, observational, and emotionally precise. I build immersive narrative worlds shaped by subcultural spaces and personal mythologies, where image-making becomes a way of recording proximity, process, and lived experience.

My practice blends casting, directing, producing, and styling into a single, self-sustaining workflow. I independently produce my projects, often managing large teams, tight timelines, and ambitious visions with limited resources. Alongside film and photography, I’m frequently brought on for casting-led fashion work and image direction, collaborating with artists, musicians, publications, and brands across independent, editorial, and commercial contexts.

I’m the founder of Club POLO, a recurring underground party in Manhattan and Brooklyn that brings together youth, creatives, and scene elders across fashion, nightlife, and art. Named after the fashion staple with double-coded meaning, POLO lives at the intersection of aspiration and anti-glamour, functioning as both a creative hub and a living archive for the world I document.

In 2022, my first solo exhibition Trade Winds, White Heat was presented at The Public Works Administration Gallery as a multi-channel installation of digital and video works. In a feature for New York Magazine, my work was compared to Ryan Trecartin and Richard Linklater for its ability to merge intimate, character-driven storytelling with experimental cinematic form.

Recent projects include Trial Period, a film examining performance, desire, and power within New York’s queer nightlife that premiered in New York and later in Austria (currently streaming on Criterion Channel), and Fashion Year, a six-channel installation premiering at SYSTEMA in Marseille and later screening in New York and Berlin. Across formats, my work moves between the underground and the commercial, maintaining a commitment to community, specificity, and authorship.

I’m available for select editorial, commercial, and independent projects.

I hold a BFA in Film/Video from Pratt Institute.



Selected Exhibitions, Screenings & Programs


2025
Post-Screening Discussion: COFFY — Whitney Review of New Writing, Metrograph, New York, NY
Pop-Up Screening (Selected Films) — Amanda Ba’s Studio, New York, NY
Group Exhibition — No Tax Gallery, Paris, France
Screening: Trial Period — Vienna Club Commission, Austria
Screening: The Liminals — DIS, Basement Art Assembly Biennial, Rome, Italy

2024
Solo Exhibition: New Faces — Preacher’s Daughter Gallery, New York, NY
Screening: Fashion Year — “Boys Don’t Talk,” Berlin, Germany
Screening: Trial Period — curated by Lea Gugler, Berlin, Germany
Screening: Backseat of the Couch — New York, NY

2023
Group Exhibition & Art Fair: SYSTEMA — Marseille, France
Screening (Selected Films): Reunion — NeueHouse Madison Square, New York, NY

2022
Solo Exhibition: Trade Winds, White Heat — Public Works Administration, New York, NY

2021
Exhibition: Bleeding Out — Miami, FL

2020
Exhibition: Black Tarantula — Turin, Italy